IN REGIONE CAECORUM
REX EST LUSCUS
ET DUO OCULUM EST DEUM
TARO · ROTA · ORAT · TORA · ATOR
MANIFESTO
UNIQUE OBJECT· TAROT MAJOR ARCANA DICE
IRC — 00I · ONE OF ONE
tarot major arcana dice.
where intention takes form.
With each roll, one Major Arcana is brought into view
as a single card drawn from the deck.
The question belongs to the one who sets it in motion.
The answer belongs to the face revealed.
Formed in gold, engraved in silence, alive with stones and intention.
OBJECT
Esoteric Dice · Major Arcana
MATERIAL
14K Yellow Gold
STONES
Natural Diamonds · Sapphires · Rubies
DIMENSIONS
22 mm
WEIGHT
22,8 g
ORIGIN
Vilnius
FROM ARCHIVE · IRC001
MANIFESTO IS THE FOUNDING OBJECT OF IN REGIONE CAECORUM
Cast in 14 karat yellow gold, it takes the form of a deltoidal icositetrahedron: a body of twenty-four faces, balanced between geometry, divination, and weight. Across its surface runs the complete sequence of the Tarot Major Arcana. Each figure was drawn for this object alone, then engraved by hand into the gold, not as ornament, but as inscription.
Each face carries a fine brushed surface, giving the hand engraving a distinct presence as it catches the light against the quieter field beneath it.
Certain faces are set with natural stones — white, yellow, and black diamonds, sapphires, and rubies. Each was set by hand. The smallest measures only 0.7 mm, a point of light held within the metal.
Twenty-two Arcana occupy the form, each separate, each bearing its own force. Two further faces complete the structure: white diamond and black diamond, Yes and No. They do not explain the object. They give it its axis.
MANIFESTO weighs 22.8 grams. It is small enough to rest in the hand, dense enough to be felt as a presence. It moves, falls, and comes to rest. One face rises. One sign is given.
MANIFESTO is an original In Regione Caecorum House creation, developed as a singular object in which geometry, engraving, stones, and weight form one complete structure. Other works may come from the same discipline, but this exact configuration belongs to this piece alone and will remain unique.
Quod olim in tenebris occultatum et oblivioni traditum est, viam suam semper inveniet ad lucem;
et quod semel nomen habuit, iterum a memoria hominis revocabitur.
What was once concealed in darkness and consigned to oblivion will always find its way back to the light; and that which once bore a name shall once again be summoned from the memory of man.
OBJECTS
ONE OF ONE · COMMISSION · PRIVATE COLLECTION
IRC · XXVII · ONE OF ONE
RING · ORDA
18 K GOLD · PRINCESS CUT and ROND DIAMONDS · HAND ENGRAVED
IRC · XXVII
ORDA
What remains, reigns.
ORDA is built around the square — the first order imposed upon matter. Within it, the four elemental principles are held as one: Earth, Water, Air and Fire. Repeated around the circumference, the square becomes not a symbol placed upon the ring, but its governing structure.
Executed in 18K yellow gold and set with natural diamonds, the ring alternates six raised princess-cut modules with six fields of pavé. Each square retains a flat upper plane, creating a measured rhythm around the full eternity form. The repetition has no privileged beginning or end; order is sustained through continuity.
The idea of the crown is held within the architecture rather than applied as ornament. Its raised planes form a restrained succession of points around the hand - a structure concerned with sovereignty not as display, but as something established enough to endure.
ORDA was developed through a silver prototype before the final commission was realised in gold. The prototype was used to resolve proportion, geometry, setting architecture and the relationship between the raised square modules and the pavé fields.
The work is concerned with what has already taken form: balance, family, friendship, work, prosperity - not simply preserving these things, but allowing them to deepen, mature and remain.
IRC · XXI · ONE OF ONE
RING · ANDRAS
18 K GOLD · ROUND and TRILLION CUT BLACK DIAMONDS · HAND ENGRAVED
IRC · XXI
ANDRAS
ANDRAS is built around the triangle. Four trillion-cut black diamonds are assembled into a single larger triangular composition. Three stones occupy its outer points and physically hold the central diamond within the structure, creating an unusual setting in which geometry is not merely visual — it becomes part of the mechanism of the ring itself.
The triangular construction carries a quiet reference to the ritual geometry of the Lemegeton, where form, boundary and proportion hold significance beyond ornament. The reference is not reproduced literally; it is absorbed into the architecture of the object.
Executed in 18K yellow gold, the central composition is held within a sharply defined frame, while lines of round black diamonds extend along the split shoulders of the ring. Hand engraving gives precision to the setting and reinforces the contrast between polished gold, dark stone and cut surface.
ANDRAS is therefore structured through a single governing form: four separate stones becoming one triangle, held through tension, proportion and precision.
IRC · III · COMMISION
RING · TRANSCENDUM
14 K GOLD · 96 DIAMONDS · HAND ENGRAVED
FROM ARCHIVE · IRC · III
TRANSCENDUM
The design of TRANSCENDUM originates with Gerardi Setting School in Rome. Realised by In Regione Caecorum in gold and diamonds, the ring begins from an unadorned gold blank — a simple, uninterrupted form from which its entire surface architecture is developed by hand.
Every stone position is established individually. The gold is drilled, cut and engraved by hand, gradually transforming the plain surface into a disciplined structure of diamonds, edges and bright-cut detail. The setting is not applied to a pre-formed decorative pattern; it emerges through successive intervention into the metal itself. The handwork remains fully visible in the finished surface: each cut, edge and setting forms part of the final architecture.
Within In Regione Caecorum, this execution is titled TRANSCENDUM. The name refers to passage from one state into another. Here, that idea is held quite literally in the making of the ring: a restrained gold form is progressively altered through cutting, engraving and setting until its original surface has become something entirely different.
Light completes this transformation. It moves between diamond and engraved gold, revealing the depth and rhythm created by the hand-cut structure. TRANSCENDUM is therefore concerned not only with the finished form, but with the act of becoming — material carried from one state into the next through precision, repetition and work.
IRC · IV · ONE OF ONE
RING · ALTIORA
14 K GOLD · NATURAL SAPHIRES · DIAMONDS · HAND ENGRAVED
IRC · IV
ALTIORA
ALTIORA was created around the natural variation of sapphire colour. Rather than selecting a single tone, the ring brings together sapphires across a broad spectrum, allowing differences in hue, saturation and intensity to remain visible within one continuous composition.
The stones are arranged as a shifting mosaic rather than a strict repeating sequence. White and black diamonds are introduced at selected points to interrupt the rhythm of colour, creating pauses and contrasts that prevent the pattern from becoming predictable.
Executed in 14K yellow gold, the ring combines colour with a hand-cut setting architecture developed directly into the metal. The result is deliberately irregular in rhythm while remaining controlled in structure — each stone retaining its individual character within the whole.
IRC · V · COMMISION
RING · PHENEX
18 K GOLD · DIAMONDS · HAND ENGRAVED
IRC · III
PHENEX
PHENEX is a deliberately restrained ring in 18K yellow gold, created on a small scale so that its character is revealed gradually rather than through volume. Diamonds alternate with hand-cut gold in a fine, continuous rhythm, giving the surface a precise but almost textile-like quality.
The setting is a unique variation of the traditional fishtail, reduced and reshaped to suit the narrow proportions of the ring. The engraved gold becomes as important as the stones themselves, creating a sequence of points, recesses and reflected light around the circumference.
The name PHENEX preserves a private point of origin in the history of the piece. Its meaning is intentionally left within the object, rather than made part of its public narrative.
PHENEX is quiet by design — a small object whose detail becomes visible only at close distance.
THE ATELIER
PRECISION AS RITUAL
IN REGIONE CAECORUM is an independent atelier dedicated to symbolic fine and high jewellery, where jewellery is approached as an object of power, not decoration alone.
Each work moves through a continuous practice — stone selection, digital construction, goldsmithing, micro-setting and hand engraving. The same hand follows the object through each stage, keeping idea, material and final surface within one language.
Shaped by training in Vilnius and Rome, the atelier works through singular commissions and limited objects, guided by European craft traditions, architectural restraint and technical precision.
IN REGIONE CAECORUM · CODEX
IN REGIONE CAECORUM, REX EST LUSCUS
ET DUO OCULUM EST DEUM
In the land of the blind, the one-eyed man is king —
and the two-eyed man is god.
The ancient proverb ends with the one-eyed king. The continuation came later, received verbatim in Latin during a private channeling. It remains exactly as received.
ACQUISITION
BY CORRESPONDENCE
For an existing object, a commission, or any questions about the work, please feel welcome to get in touch. Acquisitions and commissions take place through written exchange.